e-ARH.si
Razvoj slovenskega elektronskega arhiva
4. MEDNARODNA KONFERENCA – 4th INTERNATIONAL CONFERENCE
20. – 21. NOVEMBER 2019
Austria Trend Hotel, Ljubljana
Preteklost na dosegu klika!
The past is just a click away!
e-ARH.si
Razvoj slovenskega elektronskega arhiva
4. MEDNARODNA KONFERENCA – 4th INTERNATIONAL CONFERENCE
20. – 21. NOVEMBER 2019
Austria Trend Hotel, Ljubljana
Preteklost na dosegu klika!
The past is just a click away!
AMIA will be headquartered at the Renaissance Baltimore Harborplace
2019 Conference Committee
The AMIA Conference Committee is a Committee of the Board, responsible for developing the content of each year’s conference as well as for the planning of the annual event. In coordination with the steering committee, fellow committees, and the AMIA staff, this includes scheduling conference sessions, conference events, workshops, and vendor relations.
10/24/2019–10/27/2019
Film sound
Alongside digitally restored films, the fourth edition of Film:ReStored will primarily focus on film sound. Historical sound formats represent a special challenge in terms of restoration. But the latest digital technology makes it possible to come as close as possible to the original sound.
New scanning methods
We will introduce new scanning procedures and examples from film history showing how sound has been used–ranging from shellac records to four-channel magnetic tapes, and from Die Jagd nach der Million (The Scramble for Millions, GER 1930, d: Max Obal) to The Flying Dutchman (GDR 1964, d: Joachim Herz). How does sound editing change a work? And how should different versions be assessed?
Audio Description (AD)
Audio descriptions are now an integral component of many DCPs, as film heritage should be made available barrier-free. For this reason, the festival is also dedicated to inclusive access to (historical) films. We will review and discuss exemplary audio descriptions as well as the quality standards and challenges presented by silent and experimental films.
Digitization
As in the past, this year’s guests from international FIAF archives will discuss their digitization strategies and projects: The Polish National Film Archive (FINA) reports on the “Nitrofilm project”; the Kinemathek dedicates itself to Hans Richter’s experimental silent films and the Filmmuseum Potsdam together with the University of Zurich looks into historical magnetic tape technologies.
The awards ceremony of the Kinopreises des Kinematheksverbundes will take place on Friday, October 25th, followed by a reception and a short film program with musical accompaniment.
L’innovation au service de la création
5 & 6 NOVEMBRE 2019
La Plaine-Saint-Denis
Docks de Paris
Grand Paris
The 50th Annual Conference of the International Association of Sound and Audiovisual Archives (IASA) will be held from Monday 30th September – Thursday 3rd October 2019 at the Netherlands Institute for Sound and Vision, in Hilversum, Netherlands.
The International Association of Sound and Audiovisual Archives (IASA) was established in 1969 in Amsterdam to function as a medium for international co-operation between archives that preserve recorded sound and audiovisual documents.
IASA has members from 70 countries representing a broad palette of audiovisual archives and personal interests which are distinguished by their focus on particular subjects and areas, eg archives for all sorts of musical recordings, historic, literary, folkloric and ethnological sound documents, theatre productions and oral history interviews, bio-acoustics, environmental and medical sounds, linguistic and dialect recordings, as well as recordings for forensic purposes.